How Movies Receive Their Ratings

Many Americans use the MPAA’s formalized rating system as a guide for which films to see. The Onion provides a step-by-step view into how these ratings are chosen:

‘Winnie-The-Pooh’ Turns 90

Winnie-The-Pooh, the A.A. Milne series featuring a stuffed bear and his toy animal friends, debuted 90 years ago this week. Here are some milestones from the franchise’s nearly century-long run:

50 Years Of ‘Star Trek’

Star Trek, the science-fiction show about the crew of the starship Enterprise, premiered 50 years ago today on NBC, spawning a cult following and decades of spin-offs. Here are some milestones from the franchise’s 50-year history

How Big-Budget Movies Flop

Despite the recent box-office failures of Exodus, Ben-Hur, and Gods Of Egypt, studios continue to fund big-budget movies they hope will achieve blockbuster success. The Onion provides a step-by-step breakdown of how one of these movies becomes a flop:

Your Horoscopes — Week Of August 30, 2016

ARIES: Sometimes in life, you just need to stop whatever it is you’re doing and take a step back. Actually, maybe it’s two steps back. Yeah, that’s good. Keep going. The stars will let you know when you’re far enough.

‘Rugrats’ Turns 25

This August marks the 25th anniversary of the premiere of Rugrats, the beloved Nickelodeon cartoon about intrepid baby Tommy Pickles and his group of toddler friends. Here are some milestones from the show’s nine-season run

Your Horoscopes — Week Of August 9, 2016

ARIES: Your life’s story will soon play out in front of movie theater audiences across the country, though it’ll only last about 30 seconds and advertise free soft drink refills in the main lobby.

Director Has Clear Vision Of How Studio Will Destroy Movie

LOS ANGELES—Saying he can already picture exactly what the finished cut will look like on the big screen, Hollywood film director Paul Stanton told reporters Wednesday he has a clear vision of how studio executives will totally destroy his upcoming movie.

Your Horoscopes — Week Of June 14, 2016

ARIES: Once the laughter dies down, the party favors are put away, and the monkeys led back inside their cages, you’ll finally be given a chance to explain your side of the story.

Lost Jack London Manuscript, ‘The Doggy,’ Found

RYE, NY—Workers inventorying the estate of a recently deceased Westchester County art dealer earlier this month reportedly stumbled upon a draft of a previously unknown Jack London novel titled The Doggy, and the work is already being hailed by many within the literary world as a masterpiece.

Guide To The Characters Of ‘The Force Awakens’

The highly anticipated seventh episode in the ‘Star Wars’ series, ‘The Force Awakens,’ which will be released December 18, will feature several returning characters as well as a host of new ones. Here is a guide to the characters of ‘Star Wars: The Force Awakens.’

Robert De Niro Stunned To Learn Of Man Who Can Quote ‘Goodfellas’

‘Bring Him To Me,’ Actor Demands

NEW YORK—Immediately halting production on his latest project after hearing of the incredible talent, legendary actor Robert De Niro was reportedly stunned to learn Wednesday that Bayonne, NJ resident Eric Sullivan, 33, can quote the critically acclaimed 1990 Martin Scorsese film Goodfellas at length.

Timeline Of The James Bond Series

This week marks the release of the 24th film in the James Bond franchise, Spectre, featuring Daniel Craig in his fourth appearance as the British secret agent. Here are some notable moments from the film series’s 53-year history
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Now That I've Learned About Foreshadowing, I'm Going To Use It In All Of My Stories

Guess what? There is this really neat literary device I just learned about, and it's called "foreshadowing." It's this thing where, in the beginning of the story, you put in all these little "hints" about stuff that's going to happen later on. I can't wait to try it out!

I think the best part about foreshadowing is that it doesn't come right out and tell everyone what's going to happen. Instead, it does this thing called "planting a seed" in the reader's mind, so that the ending will still be a surprise but also seem logical. At least that's what it said on, which is a really good site with lots of fun tips on writing.

Foreshadowing is awesome.

You can foreshadow anything. One thing you can foreshadow is a high-powered attorney billing the hours, making the money, and rushing relentlessly up the corporate ladder of a giant D.C. law firm, and then in an instant, it all comes undone. I am definitely going to try foreshadowing that.

Another thing I like is that you can put foreshadows in anywhere: in the dialogue, in the descriptions, even in the rising action. I suppose you could even plot out the whole story arc ahead of time, before you start writing, and put in the hints as you go along. Usually I just sit down and start typing, and then come up with a climax when I get to 450 pages.

I wish I had learned about this foreshadowing technique earlier. Like, in the beginning of The Partner—this story I wrote about a junior attorney who pulls off the white-collar crime of the century—I could have put in some "clues" that the guy's lover is greedy or evil. That would have "foreshadowed" the end where she steals all his money. That would've been so cool!

Foreshadowing also builds suspense. I used to think the only way you could build suspense was with rising action. Or maybe with the climax. But with foreshadowing, you can "build expectations" that make the reader want to keep reading to find out what's being foreshadowed. Now I think foreshadowing is the coolest way to hold the reader's attention.

There is also something called a "red herring," which is another thing I just found out about, which is like foreshadowing except the thing you foreshadow doesn't happen. A red herring is like a trick. I don't think I want to use a red herring.

Going back to foreshadowing, you can foreshadow in a bunch of different ways. You could have a character say something that foreshadows something else, or you could use events to foreshadow later events. I think my favorite way is using a single word with two different meanings to foreshadow. For example, I learned that if a notorious D.C. power broker who knows a secret that goes to the top of the U.S. government is going to die, it's better to have him say "I'd rather die than go to prison" than something like "I would never want to go to prison." Because the first way has the word "die" in it, and then he does die.

Foreshadowing is so much better than rising action.

I was talking to my friends James Patterson and Patricia Cornwell the other day, and they told me about this new thing called "symbolism," where you make one object "represent" another more "abstract" concept. Like, in my new story about a brash young attorney straight out of Harvard Law who's standing on the brink of a brilliant career and risks it all for a death-row convict and an impossible case, I could make the inmate's scar stand for something. It could stand for the judicial system, or for peace. In fact, depending on the way I "describe" it, I could make it stand for just about anything.

This is all so exciting. I'm going to go write a new story right now!

John Grisham is an award-winning American author whose books have sold more than 235 million copies worldwide.

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